A young man's move into a new apartment becomes a hellish ordeal when he finds out it is inhabited by a haunted wardrobe.

Cyrus annoys all his companions with his new friend Toasty the toaster, so they decide to get rid of it.

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Cheap scares. Extreme Gore. Loads of nudity. These have been the three staples of low budget independent horror films since the 60's. But what's a filmmaker to do when, thanks to technology, ANYONE can make a film these days? Under The Scares offers an inside look into the production and promotion of an independent, ultra low-budget horror film, while combining interviews and insights from some of the genre's biggest legends - Lloyd Kaufman, Robert Kurtzman, Herschell Gordon Lewis, Frank Henenlotter, Gary Jones, and many many more.

A man meets a woman at a wedding and manages to sweet talk her, only to end up inadvertently helping out another male.

At the end of 1943, during the occupation in Odessa, a new specialist Kraft arrives at the shipyard and soon becomes a chief engineer. It never occurred to anyone that a Soviet intelligence officer was hiding under the guise of a leader showing official zeal. At the decisive moment, when the victorious offensive of the Soviet troops forces the German-Romanian invaders to leave Odessa, on the instructions of the Center, Kraft leaves with them for further work behind enemy lines.

The life of a young gangster -- who has an affair with his boss's wife -- no longer seems certain. However, he turns out to be tougher than his adversaries.

According to the story of the same name by Vladimir Makanin. Mitya Rodiontsev, a young employee of the research institute, for some time now became one of those who were in the close circle of the secretary of the director Aglaya Andreyevna and felt well protected from the vicissitudes of fate. Having become a “retinue”, Mitya was no longer engaged in science, but was busy for those who needed him, openly respected him and saw him as a future leader. But once Rodiontsev was not invited to the director’s office for a weekly tea party...

Vaudeville performers Cook and Butler are mistaken for domestic servants; hilarity ensues.

Aline Issermann's "Shades of Doubt" ("L'Ombre du Doute"), a French film about a wrenching family crisis, is set forth with remarkable restraint. The subject is incest, but the story's potential for tawdriness is never exploited. Instead, Ms. Issermann presents a discreet, methodical account of how 12-year-old Alexandrine comes to bring and then recant charges against her father, Jean.